/$$ /$$ /$$ |__/ | $$ | $$ /$$ /$$$$$$/$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$$ /$$$$$$ /$$ /$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$$ | $$| $$_ $$_ $$ /$$__ $$ /$$__ $$ /$$__ $$|_ $$_/ /$$__ $$ /$$__ $$/$$_____/ /$$__ $$| $$ /$$/ /$$__ $$ /$$__ $$ /$$__ $$|_ $$_/ /$$__ $$ /$$__ $$/$$_____/ | $$| $$ \ $$ \ $$| $$ \ $$| $$ \ $$| $$ \__/ | $$ | $$$$$$$$| $$ \__/ $$$$$$ | $$$$$$$$ \ $$$$/ | $$ \ $$| $$ \ $$| $$ \__/ | $$ | $$$$$$$$| $$ \__/ $$$$$$ | $$| $$ | $$ | $$| $$ | $$| $$ | $$| $$ | $$ /$$| $$_____/| $$ \____ $$ | $$_____/ >$$ $$ | $$ | $$| $$ | $$| $$ | $$ /$$| $$_____/| $$ \____ $$ | $$| $$ | $$ | $$| $$$$$$$/| $$$$$$/| $$ | $$$$/| $$$$$$$| $$ /$$$$$$$/ | $$$$$$$ /$$/\ $$| $$$$$$$/| $$$$$$/| $$ | $$$$/| $$$$$$$| $$ /$$$$$$$/ |__/|__/ |__/ |__/| $$____/ \______/ |__/ \___/ \_______/|__/ |_______/ \_______/|__/ \__/| $$____/ \______/ |__/ \___/ \_______/|__/ |_______/ | $$ | $$ | $$ | $$ |__/ |__/ /$$$$$$ /$$ /$$ /$$ /$$ /$$__ $$ | $$ | $$ | $$|__/ /$$$$$$ | $$ \__/ /$$$$$$ /$$$$$$ /$$$$$$$ /$$$$$$ /$$$$$$ /$$$$$$ | $$ /$$$$$$/$$$$ /$$$$$$ /$$$$$$$| $$$$$$$ /$$$$$$ /$$$$$$$ /$$$$$$$ /$$ /$$$$$$$ /$$$$$$ /$$__ $$| $$$$ /$$__ $$ /$$__ $$| $$__ $$ /$$__ $$ /$$__ $$|____ $$| $$ | $$_ $$_ $$ |____ $$ /$$_____/| $$__ $$ |____ $$| $$__ $$ /$$__ $$| $$ /$$_____/ /$$__ $$ | $$ \ $$| $$_/ | $$ \ $$| $$$$$$$$| $$ \ $$| $$$$$$$$| $$ \__/ /$$$$$$$| $$ | $$ \ $$ \ $$ /$$$$$$$| $$ | $$ \ $$ /$$$$$$$| $$ \ $$| $$ | $$| $$| $$$$$$ | $$$$$$$$ | $$ | $$| $$ | $$ | $$| $$_____/| $$ | $$| $$_____/| $$ /$$__ $$| $$ | $$ | $$ | $$ /$$__ $$| $$ | $$ | $$ /$$__ $$| $$ | $$| $$ | $$| $$ \____ $$| $$_____/ | $$$$$$/| $$ | $$$$$$$| $$$$$$$| $$ | $$| $$$$$$$| $$ | $$$$$$$| $$ | $$ | $$ | $$| $$$$$$$| $$$$$$$| $$ | $$| $$$$$$$| $$ | $$| $$$$$$$| $$ /$$$$$$$/| $$$$$$$ \______/ |__/ \____ $$ \_______/|__/ |__/ \_______/|__/ \_______/|__/ |__/ |__/ |__/ \_______/ \_______/|__/ |__/ \_______/|__/ |__/ \_______/|__/|_______/ \_______/ /$$ \ $$ | $$$$$$/ \______/
marie vermont & the concept horse
IEOGM JAPAN tour documentation click here
NEW RELEASE:
VOM INSTITUT out now at BRETON CASSETTE
DOLPHINS IN CORNWALL AT MOLT FLUID
reviews:
attn magazine
the quietus
ZWEIEINHALB BÜCHER AT PHNCRS
NEW RELEASE: KNOCKOUT MOSS C40 AT BEACHBUDDIES RECORDS
RECENT/SOON:
21.06.2024 - institute of sleepless nights, book launch, vienna
18.06.2024 - cafe OTO, london, UK - as part of billa ensemble
01.06.2024 - MOOZAK, multichannel series, semmelweissklinik, vienna
21.04.2024 - spazio rita, nagoya, JP
20.04.2024 - gvmlm, matsumoto, JP
17.04.2024 - forest limit, tokio, JP
15.04.2024 - environment 0g, osaka, JP
14.04.2024 - tobira/void, kasai, JP
12.04.2024 - dessert time, kurashiki, JP
08.11.2023 - weavering worlds, bb15, linz
31.10.2023 - tape DJ set, fluc, vienna
07.09.2023 - greyhaven, ithaca, US
19.04.2023 - der blöde dritte mittwoch, fluc, vienna
07.04.2023 - noise meet up #1, raum.schiff, linz
04.03.2023 - knopfwissen 11, sandkasten syndikat, vienna
28.01.2023 - kastenkonzert #39, setzkasten, vienna
12.11.2022 - institute of sleepless nights, studio matsune, vienna
04.10.2022 - einbaumöbel, vienna
21.9.22 importers exporters 1-4 1: 26:56 2: 17:56 3: 36:37 4: 53:04 /// 26.9.22 importers exporters 5: 47:00 /// 29.9.22 importers exporters 6, 7 6: 05:36 7: 30:34 /// 2.10.22 general machandise 8, 9 8: 15:37 9: 17:04 /// 4.10.22 general machandise 10-13 10: 47:35 11: 12:13 12: 26:33 13: 20:33 /// 4.10.22 importers exporters 1bm: 39:47 /// 10.10.22 IEOGM Flaschenspaß mit Schläger: 1:28 /// 12.10.22 general machandise 14: 50:04 /// 22.10.22 IEOGM 100% i, ii / general merchandise 15, 16 I: 29:16 ii: 29:21 /// 5.11.22 importers exporters hordijk 17-19 17: 09:04 18: 38:25 19: 05:38 /// 17.11.22 general machandise 20 - quadrax returns: 57:18 /// 19.11.22 sleepless machandise I-iv: I: 16:29 ii: 12:02 iii: 15:11 iv: 35:36 /// 11.12.22 general machandise 52, 53 52: 22:34 53: 20:11 /// 18.12.22 IEOGM dev 22 - yamaha roller bass tapes: 40:16 /// 09.12.22 KNOCKOUT MOSS, C40, beach buddies records 501 500: 11:35 501: 03:46 /// 25.12.22 IEOGM GENRE KNOCKOUT: 30:30 /// Computermusik zwischen 25.12. und 31.1.: 24:34 /// 01.01.23 IEOGM 28er_blech i, ii I: 28:40 ii: 03:03 /// 6.1.23 bastlkastle memory woman pt delay bugcrush fb i, ii I: 26:06 ii: 09:14 /// 7.1.23 bastlkastle 4way pedal fb i, ii I: 22:27 ii: 28:05 /// 9.2.23 Batteriestand niedrig mit NADESHDA - C50 /// 17.1.23 Quellenverzeichnis mit BYDL - C55 /// ——Musik (15,52133333 h) 19.1.23 fur general piano 08:38 20.1.23 fur general orchestra I: 39:02 21.1.23 fur general orchestra ii: 36:52 22.1.23 fur general Setzkasten: 30:35 /// 28.1.23 importers exporters @ Setzkasten live /// 12.2.23 fur general bell 43:17 12.2.23 fur general bell Zugabe 05:00-10:00 (D) 12.2.23 fur general bell acoustic 05:06 /// 14.2.23 bassglock i 43:43 14.2.23 bassglock ii 12:54 /// 19.2.23 pech mit wind i 7:37 ii 5:56 /// 4.3.23 Knopfwissen 11 32:52 /// 7.3.23 live at Billa I 42:36 & ii 33:58 with michiu 1, michiu 2, turmeric acid/// 12.3.23 Yamaha drone i 26:09 ii 5:45 iii 24:13 /// 04.4.23 chirp bells 23:29 Chirpi mini 2:56 /// 18.4.23 Zweieinhalb bücher 18:15 - released on phncrs records bell core 7:05 /// 23.04.23 begurt loop i 05:35 begurt voice ii 23:06 begurt voice iii 23:18 /// 29.04.23 egg plan i 13:45 egg plan ii 06:04 egg plan iii 06:13 egg plan iv 02:38 /// 30.04.23 hainberg 18:16 hainberg acoustic 10:31 /// mai_glas Kurzstücke Ste-011 07:00 Ste-012 06:07 Ste-013 07:01 /// Pre dronaucanal Ste-23 07:19 Ste-24 09:42 Ste-25 02:30 /// Melodika Ste-26 13:10 Ste-27 03:31 Ste-28 05:01 Ste-29 12:05 Ste-30 13:08 Ste-31 13:23 /// 17.06.23 snare cymbal bug melodika bass i 26:37 snare cymbal bug melodika bass ii 12:52 snare cymbal bug melodika bass iii 16:58 snare cymbal bug melodika bass iv 20:26 snare cymbal bug melodika bass v 10:19 snare cymbal bug melodika bass vi 07:30 snare cymbal bug melodika bass vii 08:59 /// 22.06.23 gelsenabend Ste-12 23:33 Ste-13 07:35 /// DOLPHINS IN CORNWALL - released on molt fluid Pedali bug shofar 09:05 Pedali bug shofar I 15:55 fcp stimme langer teil mit drm2 und bass 05:32 Rcp stimme kurzer teil mit drm2 01:18 /// 06.07.23 Poststimme Ste-11 01:39 Ste-12 16:55 Ste-13 03:13 Ste-14 05:13 Ste-15 04:06 /// 23.07.23 Bodenstück 14:01 /// 05.08.23 lower Lower Austria 1 23:02 lower Lower Austria 2 22:29 lower Lower Austria trio doublemic 06:46 lower Lower Austria usi 23:54 /// 09.08.23 dissertational carpetry I 20:49 Dissertational carpetry ii 16:31 /// 15.08.23 Testzither 11:25 /// 21.08.23 voice bank robbery /// 07.09.23 live at greyhaven Ithaca US 29:35 /// 12.09.23 Chelsea out NYC 16:41 ///
importers exporters of general machandise - B. Griffspferd & M. Vermont live @ knopfwissen 11 230304
importers exporters of general machandise - B. Griffspferd & M. Vermont live @ 1bm 221004
We seek to grow our machandise by composing the import and export needs of noise makers, offering delectable cable salads and uncertain chromatic values in all that we do. Supported by a professional and motivated team of field recordings, state-of-the-art technologies and mallets, we guarantee you unstable and untrustworthy analog sounds in Vienna and beyond. importers exporters of general machandise: sonic integrity, extreme panning and knobknowledge.
///
Um unseren Machandise zu erweitern, stellen wir Import- und Exportbedürfnisse von verschiedensten Krachmacher*innen zusammen und streben danach köstliche Kabelsalate und unsichere Farbwerte anzubieten. Unterstützt von einem professionellen und motivierten Team aus Field Recordings, modernsten Technologien und Klöppeln garantieren wir instabile und vertrauensunwürdige, analoge Geräusche in Wien und darüber hinaus. importers exporters of general machandise: Klangintegrität, extremes Panning und Knopfwissen.
/$$$$$$ /$$$$$$$$ /$$$$$$ /$$$$$$ /$$ /$$ /$$$$$$ /$$$$$$ /$$$$$$ /$$ /$$ |_ $$_/| $$_____/ /$$__ $$ /$$__ $$| $$$ /$$$ /$$__ $$ /$$$_ $$ /$$__ $$| $$ | $$ | $$ | $$ | $$ \ $$| $$ \__/| $$$$ /$$$$ |__/ \ $$| $$$$\ $$|__/ \ $$| $$ | $$ | $$ | $$$$$ | $$ | $$| $$ /$$$$| $$ $$/$$ $$ /$$$$$$/| $$ $$ $$ /$$$$$$/| $$$$$$$$ | $$ | $$__/ | $$ | $$| $$|_ $$| $$ $$$| $$ /$$____/ | $$\ $$$$ /$$____/ |_____ $$ | $$ | $$ | $$ | $$| $$ \ $$| $$\ $ | $$ | $$ | $$ \ $$$| $$ | $$ /$$$$$$| $$$$$$$$| $$$$$$/| $$$$$$/| $$ \/ | $$ | $$$$$$$$| $$$$$$/| $$$$$$$$ | $$ |______/|________/ \______/ \______/ |__/ |__/ |________/ \______/ |________/ |__/